François Morellet.
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untitled (to Don Judd, colorist) 4
Dan Flavin, 1987.
Blue and pink fluorescent light. Photo: jcr
Claude Lévêque, Rêvez ! (2008)
© ADAGP/Claude Lévêque — Courtesy the artist and Kamel Mennour, Paris.
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All Art Has Been Contemporary, Maurizio Nannucci.
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Claire Fontaine, ARBEIT MACHT KAPITAL, 2012.
Claire Fontaine’s exhibition “M – A – C – C – H – I – N – A – Z – I – O – N – I” opended Museion’s 2012 exhibition season on February 3. The Bolzano show presents a selection of previous works and new creations: videos, neon signs, installations and the collective’s “machinery-sculptures”, that refer to the closed, irrational nature of the capitalist economy, intent on preserving its status quo at any price. The title of the exhibition (which translates as ‘Machinations’) references the machine metaphor that underpins capitalism, with its relentless production/consumption cycle. The Claire Fontaine collective, founded in Paris in 2004, takes its name from a well-known French brand of stationery. The works of this self-styled “ready-made artist”, underpinned by theoretical research, often resemble those of other artists. Challenging the very notion of the artist figure, the collective views itself as a “whatever singularity”, the subjective equivalent of a urinal or a box of Brillo pads, and therefore equally interchangeable. The exhibition is curated by Letizia Ragaglia - at Museion, Bolzano.
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Claire Fontaine, Ma l’amor mio non muore (2012).
Neon, framework, transformer and cables. Galleria T293, Roma.
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Coachella (by United Visual Artists)
As part of their ongoing relationship with the Creators Project, UVA have redesigned the main stage for Coachella 2011.
Creating both a platform for performance and a standalone light and sound sculpture, Orchestrion is a collaboration with composer Mira Calix. Featuring sliding doors, the 64m3 cubic structure opens for bands to perform in it, and closes as part of its own performance taking place at set times during the three day festival.
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Jim Allen
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Best of Barry Underwood’s lavish and haunting photos of his full-scale installations built on-site in the landscape.
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Bosse Sudenburg, YES, Neon Writing, 2009.
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