Chul Hyun Ahn’s Meditative Installations Of (In)finite Space.
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FLOW: ‘Hero’ will deliver an exciting series of new site specific artworks that explore and respond to the journey of water through the county focusing on different aspects of the county’s waterways, from its major canals and rivers, to its iconic water towers and reservoirs. FLOW is a Northamptonshire County Council led project delivered in partnership with Anglian Water and British Waterways and is associated with the regional Breath of Fresh Air programme that encourages local communities to engage with the environment.
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Julien Salaud, Grotte Stellaire. Photo by André Morin. Palais de Tokyo: (entre)ouverture— A 30-hour contemporary art marathon marks the re-opening of the Palais de Tokyo, now amplified to 22 thousand square metres, featuring interventions by Ulla von Brandeburg, Cristian Marklay and Maria Loboda. via | Domus
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Doug Aitken, Song 1.
Doug Aitken’s latest work, Song 1, takes over the Hirshhorn Museum in Washington, D.C. quite literally. Song 1 uses the museum itself as its canvas. The piece annexes the entire cylindrical exterior of Gordon Bunshaft’s 1974 edifice, utilizing eleven high-definition projectors to transform the Hirshhorn into a 360-degree viewing surface.
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Rafael Lozano-Hemmer ”Solar Equation”.
“Solar Equation” is a large-scale public art installation that consists of a faithful simulation of the Sun, 100 million times smaller than the real thing. Commissioned by the Light in Winter Festival in Melbourne, the piece features the world’s largest spherical balloon, custom-manufactured for the project, which is tethered over Federation Square and animated using five projectors.
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Ivan Navarro ”Reality Show” (Black), 2010 LED light, aluminum, wood, mirror, one-way mirror, and electric energy.
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Chris Fraser creates awesome light installations using closed and dark spaces as a camera obscura and letting to enter the different lights from the outdoor through a small and thin customized hole on some part of the room. “My light installations use the ‘camera obscura’ as a point of departure. They are immersive optical environments, idealized spaces with discreet openings. In translating the outside world into moving fields of light and color, the projections make an argument for unfixed notion of sight.”
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white room.
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These photos are from Jim Sanborn‘s “The Topographic Projections and Implied Geometries Series”. They are long exposures photographs of enormous light projections.
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VOICE ARRAY | Rafael Lozano-Hemmer
As a participant speaks into an intercom, their voice is automatically translated into flashes of light and then this unique blinking pattern is stored as a loop in the first light of the array. Each new recording pushes all previous recordings one position down and gradually one can hear the cumulative sound of the 288 previous recordings. The voice that was pushed out of the array can then be heard by itself.
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Optical Geometric Street Art
John McCracken
Guillaume Kayacan
