In the 18th and 19th centuries, wealthy British and European lovers exchanged “eye miniatures”, love tokens so clandestine that even now it is almost impossible to identify their recipients or the people they depict. They were meant to be worn inside the lapel, near the heart.
Power, time, gravity, love. The forces that really kick ass are all invisible.
Goodbye.
Une Femme Mariée, Jean-Luc Godard (1964).
Tracey Emin, I don’t Believe in Love But I Believe in You.
Pierre-Auguste Renoir, Dance at Bougival (1882-1883).
Oil on canvas.
Museum of Fine Arts Boston.
Claire Fontaine, Ma l’amor mio non muore (2012).
Neon, framework, transformer and cables. Galleria T293, Roma.
░ www.taumazo.com ░
I Fall In Love Everyday, 2010 by Lora Fosberg in collaboration with Liza Berkoff
░ www.taumazo.com ░
Wadi Al-Salaam: The Largest Cemetery in The World via Amusing Planet
Wadi us-Salaam, which literally means the Valley...
Day 55, Marina Abramović (by MoMA The Museum of Modern Art)
Erik Satie - Gymnopedies (Nos. 1, 2 & 3) - Pascal Roge
1. Lent et douloureux
2. Lent et triste
3. Lent et grave
